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Seeing, Day & Night

November 30, 2010, Food for the Soul (55), In the News (Nation, World) (80)

Posted by Wallace+

Verlyn Klinkenborg's column today, "Night Vision", is worth running your eyes over.

As I write this, a massive Ginko, all leafed out in fabulous yellow, is in view.

If that won't keep one grounded, I don't know what will.

And here's a shot over the James, near Pony Pasture, with the moon hanging like an ornament.

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Tags: james river, new york times, verlyn klinkenborg

Coinciding With the Calendar: Being Present to the Present Moment

November 10, 2010, Food for the Soul (55), In the News (Nation, World) (80)

Posted by Wallace+

I've written here before about Verlyn Klinkenborg and his gift with the language. His piece yesterday, "Seasonal Slippage," is wonderfully evocative, calling us into the present season and the present moment.

PS: The image above is an iPhone pic I snapped over near Fredericksburg yesterday. It's not hard to visualize Klinkenborg in the yard there, in his barn jacket.

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Tags: new york times, verlyn klinkenborg

In Need of a Good Peeling, All of Us

September 07, 2010, Christianity (85), Church (77), In the News (Nation, World) (80)

Posted by Wallace+

Verlyn Klinkenborg's column, "Really Looking," is a welcome and refreshing "witness to the moment," as he puts it. (This post takes its title from his mini essay.) Indeed, Klinkenborg opens my eyes on a regular basis.

Raimon PanikkarAnd Raimon Panikkar, who died in recent days (and whose obituary was published over the weekend), spent his entire life, it would seem, opening the eyes of his fellow Christians; and the eyes of people of other faiths as well, I'm sure. I had not read Panikkar previously, but just what I read of him and his writing in his NYT obituary was exhilarating.

I give thanks for Verlyn Klinkenborg, and for Raimon Panikkar, both in their own ways helping to open the eyes of humanity.

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Tags: new york times, theologian, verlyn klinkenborg

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More than fifty times, in his published writings, Barth refers to the Grunewald image; and, indeed, usually, it is precisely in reference to John,  and John’s relation to the figure of Christ; as he points.
Barth (and Grunewald before him) understood John’s sole purpose to be to serve as a pointer to Christ, a reference to Christ, a witness to Christ.

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